Using brightly colored polyurethane foam and incorporating wide-ranging influences, such as Abstract Expressionism , Process Art , Minimalism, Feminist art , geological forms, and ceremonial totems, Benglis developed her instantly recognizable sculptural language of undulating, oozing biomorphic forms. Jan 20–Apr 12, 1981 Whitney Biennial 1977. (120.7 x 57.8 x 29.8 cm.) Original artworks, prints, exhibition posters, monographs, books, collectibles. Discover and source artworks by influential and collectable artists. First recognized in the late 1960s for her poured latex and foam works, Benglis created work that was a perfectly timed retort to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. We use our own and third-party cookies to personalize your experience and the promotions you see. b.1941. Lynda Benglis moved to New York at the apex of Minimalism in the 1960s. Benglis’s work created a perfectly timed retort to the male dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. Currently she lives and works between New York, Santa Fe, Greece, and India. Biography. Another viscous material is tested in Benglis’s wax reliefs of the late 1960s. This work is number 79 from the edition of 100 published by Landfall Press, Chicago. Benglis’s interest in gendered stereotypes extends to her pioneering videos. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Executed in 1979. Artwork constitutes actions of a group or an individual at a particular time and space. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. The Windy City Series #5. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Robert Pincus-Witten, “Lynda Benglis: The Frozen Gesture,” Artforum 8:3 (November 1974): 54-59. Feb 11, 2015 - Explore Tira Walsh's board "Lynda Benglis", followed by 564 people on Pinterest. For access to motion picture film stills please contact the Film Study Center. Our site uses technology that is not supported by your browser, so it may not work correctly. Feb 19–Apr 3, 1977 Whitney Biennial 1973. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. The Aspen Art Museum is a non-collecting institution presenting the newest, most important evolutions in international contemporary art. Works like Female Sensibility and Now (1973) play freely with arousal and submission, and questioned the role of the woman artist at the height of the feminist movement. View Lynda Benglis’s 345 artworks on artnet. The situation can involve the four basic elements: space, performer's body/his presence through a medium, time and performer-audience relationship. If you are looking for a particular piece by Lynda Benglis, tell us what it is and we will match it to our database of sellers. "Interview: Lynda Benglis," Ocular 4:2 (Summer 1979): 32. Send us the details and your net price and we will match it to our database of collectors. Blatt's dayglo swirls retain a look of barely arrested motion, their colors gelled into a kind of psychedelic carpet. By visiting our website or transacting with us, you agree to this. sheet: 1264 by 913 mm 49¾ by 36 in. Landmarks, the public art program of The University of Texas at Austin, exhibited Now and archived an essay dedicated to Benglis and her work on their website. More information is also available about the film collection and the Circulating Film and Video Library. The American sculptor and visual artist Lynda Benglis set out to challenge this status quo by creating works of art that were feminine, sensuous and body-centric. Benglis’ early sculptures were unique in their use of organic imagery, first with the use of beeswax, and later on polyurethane, gold leaf and zinc aluminum. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). (A photographer for Life magazine once captured Benglis in mid-pour, lunging forward to sling pigmented latex straight from the can.) Driven by an inventive and interrogative approach to both … See more ideas about process art, art, sculpture art. Since then, Benglis’s endless innovation has made her a critical figure who has bridged and influenced several generations of artists. Lynda Benglis (b. Lynda Benglis is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. This is the case of Lynda Benglis, an artist who found new methods to create beautiful sculptures and who made a strong statement as a feminist in art history. Rejecting vertical orientation—as well as canvas, stretcher, and brush—the "pours" push conventions of easel painting to the point of near collapse. Lynda Benglis was born in Lake Charles, Louisiana, in 1941 and graduated from Newcomb College with a BFA in 1964. Lot 145: Lynda Benglis b.1941. Yet it cannot be said that the work is entirely inchoate or formless. Lynda Benglis (born 1941, Lake Charles, Louisiana) was first recognized in the late sixties with her poured latex and foam works. 2008 Lynda Benglis As Printmaker: A 30-Year Retrospective of Editions and Monotypes, Carl Solway Gallery, Cincinnati OH Shape Shifters, Locks Gallery, Philadelphia PA . Whitney Focus presents Lynda Benglis; Exhibitions. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Biography and art, auction, artworks, interview, statement, website: lynda benglis. 22½ h × 30 w in. 1941, Lake Charles, LA) lives and works in New York, NY; Santa Fe, NM; Kastellorizo, Greece; and Ahmedabad, India. The American sculptor and visual artist Lynda Benglis set out to challenge this status quo by creating works of art that were feminine, sensuous and body-centric. Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979.Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. All public programs are online only, on-site public tours and events are currently suspended. Benglis admired the gestural style of that older generation of artists, but quickly began to adapt their methods to more extravagant ends. Benglis was born in Lake Charles, Louisiana on October 25, 1941. Eridanus, titled after a river in Greek mythology, is part of a sculpture series that Benglis began in 1972. 1979, lithograph in colors. Information from Wikipedia, made available under the, Artist, Photographer, Sculptor, Video Artist, Information from Getty’s Union List of Artist Names ® (ULAN), made available under the, Creative Commons Attribution-ShareAlike License. Lynda Benglis (b. Washington, DC—In the late 1960s, American artist Lynda Benglis (b. Send us the details and your net price and we will match it to our database of collectors. If you have additional information or spotted an error, please send feedback to [email protected]. Jun 14, 2014 - Explore Debbie Michaels's board "Lynda Benglis" on Pinterest. Both 16 x 20 in. North South East West Elevation (Study for Sculpture). Alongside peers like Eva Hesse, Alan Saret, and Richard Serra, she allowed the process of making to dictate the shape of her finished works, wielding pliant matter that “can and will take its own form.”2. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Lynda Benglis, Van Abbemuseum, Eindhoven; travelled to: Irish Museum of Modern Art, Dublin; Museum le Consortium, Dijon Lynda Benglis: New Work, Cheim & Read, New York NY . As a public health precaution due to COVID-19, all Smithsonian museums are closed temporarily. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. America Is Hard to See. Lynda Benglis first came to art world attention in the late 1960s with tactile, sensual works that were strikingly different from the period’s prevailing Minimalism. (sheet), 23 1/2 x 27 1/2 in. 1941) expanded the boundaries traditionally assigned to media and gender with her bold, physical, and tactile works. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. See more ideas about artist, art, contemporary art. Lynda Benglis prints and artworks for sale from leading galleries and print studios. View our Privacy policy And our Terms of Service. This work is number 12 from an series of … Frame Size: 36 5/8 x 31 1/4 x 1 7/8 in. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. More provocative still were the racy self-portraits she staged in the early 1970s: advertisements and gallery announcements in which she posed like a pinup or porn star. Landmarks, the public art program of The University of Texas at Austin, exhibited Now (1973) and archived an essay dedicated to Benglis and her work on their website. Lynda Benglis. This pursuit of what the artist called “the frozen gesture” continues in her fabric knots—silvered coils of cotton bunting wrapped around a wire armature.3 Victor (1974) gleams with metallic paint, and other knots in the series are flecked with glitter and bright acrylic. Lynda Benglis (b. I hereby agree to not publicize, forward, or share the details of this private listing unless agreed in advance with kunzt.gallery and the owner of the artwork. That cosmetic finish—all spangle and flash—recalls the decorative arts, and mars pure abstraction with jarring materials that connote the lowbrow and the feminine. A pioneer of a form of abstraction in which each work is the result of materials in action—poured latex and foam, cinched metal, dripped wax—Benglis has created sculptures that eschew minimalist reserve in favor of bold colors, sensual lines, and lyrical references to the human body. Lynda Benglis was born in Lake Charles, Louisiana in 1941. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Signed, dated and numbered to lower edge ‘79/100 Lynda Benglis '79’. estimate: $700–900. In Embryo II (1967), layers of molten beeswax cling to a Masonite board, hardened into ridges and furrows in a spectrum of pastel hues. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. Original Signed Artworks & Limited Edition Prints For Sale, United States / female artist / Feminist art / Minimalism / Process Art / Abstract expressionism / Postminimalism / Performance art. framed: 1400 by 1055 mm 55⅛ by 41½ in Benglis invented a new format with her celebrated “pours,” which resembled paintings but came off the wall to occupy the space of sculpture. LYNDA BENGLIS: EARLY WORK 1967–1979 October 8–December 3, 2020. 1941, Lake Charles, Louisiana) is recognised for an oeuvre that has consistently challenged art-historical and technical conventions while treading new and experimental ground. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. Monotype printed in colors, 1987, signed in pencil and dated on the recto, inscribed '#5' in ink on the verso, on buff wove paper, published by Landfall Press Inc., Chicago, and with their inkstamp on the verso, framed. Sep 11, 2014 - The mission of the Brodsky Center is to provide the opportunity for artists who are contributing new narratives to the American cultural mainstream to create new work in print and paper in collaboration with master printers and papermakers. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. Currently she lives and works between New York, Santa Fe, Greece, and India. View prints by Lynda Benglis on originalprints.com, a worldwide network of dealers specialising in original prints by leading artists. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. Katy Siegel, ed., High Times Hard Times: New York Painting 1967–75 (New York: Independent Curators International, 2006), 131. Lynda Benglis is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. These “sexual mockeries,” as Benglis called them, satirized “the art-star system, and the way artists use themselves, their persona, to sell the work.”4, Introduction by Taylor Walsh, Curatorial Assistant, Department of Drawings and Prints, 2016. David Bourdon, "Fling, Dribble and Drip," Life, February 27, 1970, 62. Employing a broad range of materials in acid hues, her best-known works record the behavior of a fluid substance in action. Tours and events are currently suspended 1979 ): 54-59, performer body/his. Latex straight from the can. about the film Study Center between York! Original Signed artworks & Limited Edition prints for sale and source artworks by influential and artists. Prints, exhibition posters, monographs, books, collectibles footage it is advised apply. For Life magazine once captured Benglis in mid-pour, lunging forward to sling pigmented straight. Currently suspended Benglis on originalprints.com, a worldwide network of dealers specialising original. 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